Lori McNee

The famous religious painter Carl Bloch was said to have dipped his paintbrush in his heart. As an artist, I relate to that statement because painting for me is a way to turn myself inside out and share what is there on canvas. Sometimes I see things that are so painfully beautiful that I can find no adequate words to describe them. My art has become a spiritual language where I can express myself without speaking. And hopefully those who view my paintings will feel what I am trying to say with no words passing between us. I have found that it is through visual imagery that I can best reveal my passions.

As an artist I am more interested in painting my emotional reaction to a subject than in creating a photorealistic rendering of it; consequently my paintings lean more to impressionism than realism. I tend to work in an abbreviated style where the suggestion is more important than the completed statement, and where the parts or details are sacrificed for the good of the whole. I’ve learned that the less I give away in my paintings, the more people seem to read in them.  To me, there is more poetry in an image when not every detail is spelled out and the viewer is allowed to solve some of the mystery.

I love to capture the abstract patterns of light and shadow in the subject as, paradoxically, I find this creates a more realistic image when viewed from a short distance. I generally paint things that I am close to, both in distance and in feeling. I am not about depicting vast expanses of nature, but rather of close, intimate corners of personal spaces. Any subject is game for my brush as long as it is beautifully lit. In truth, light is always the subject I find most exciting, as anything it touches is enhanced in depth, dimension, vibrance, and beauty. This is the spiritual implication art has for me.

I consider it the greatest of privileges to be an artist–to notice the grandeur in small things around me, to celebrate them on paper or canvas, and to share my passion for life though my artwork. 

In 2000, Lori discovered plein air and still life painting. After studying with Robert Moore and Joe Anna Arnett, Lori made a shift from working with photographs to painting from life.

Today, Lori’s broad spectrum of artwork includes poetic landscape, still life and encaustic wax paintings which often incorporate birds or other wildlife. Her paintings have been featured in numerous publications including Plein Air Magazine, Fine Art Connoisseur Southwest Art, Artists’ Magazine, American Art Collector, Western Art Collector.

View the finished piece:

2 thoughts on “Lori McNee”

  1. Connie Pepper

    Wow Lori! Lovely painting. I have painted on that road above Silver Creek on a clear day and it is a challenge! Good for you for hanging in there!

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